A work that deconstructs a mass of sound into individual tones and reconstructs them as a painting that resonates anew.
An attempt to depict a soundscape as a collective body of sound.
I record the sound of wind in a landscape through field recording, then draw a line based on that memory. While letting the plotter listen to the same sound, I ask it to redraw the line. Throughout the process, we stay in constant dialogue—responding to what each of us feels, and drawing through that resonance.
A series that explores the process of collapse and reconnection by introducing variables into an ordered grid and engaging in dialogue with a plotter. It holds the possibility of both stranding and entwining.
Visualizing the deepest inner landscapes through a dialogue with the program.
Within the precise repetition of countless lines, a subtle deviation appears. Is it accidental, or intentional? An error, or a mark of individuality? This series quietly reconsiders the meaning of such delicate “anomalies” that emerge within order.
A photographic series capturing the shifting expressions of stone—dampness, ash, reflections of light.
Moments where time quietly appears on the surface of things that do not move.
Using a method that exposes light directly onto film without a camera, this work captures the fleeting afterglow of a moment and the subtle presence that lingers in space.
“still” series is an ongoing attempt to gently reopen the relationship between stone and its surroundings through minimal intervention—an open-ended still life that embraces change while remaining a stone.
In “stand”, a small hole is made to insert incense and light a flame. Through layers of fire, ash, and the passing of time, a quiet relationship with the stone gradually unfolds.
Each line is drawn by hand based on taste and aroma, then re-rendered with a plotter to depict the forms of various flavors and scents. Alcoholic beverages are often the theme.
Unaffiliated works that have yet to belong to any series.
Captured using only a camera, obliterating the original form and revealing what emerges from the remaining noise. What do you see?